Deep
Valley, Dark Days,
a self-published book by Brooklyn-based commercial and editorial
photographer Danny Ghitis, is the result of a stay in upstate New
York (thanks to an artist's residency). On his website, he provides
valuable background information as to how his work came about. He
felt „unmoored after the end of a long relationship“ when he
started to photograph „people, animals and odd details he was drawn
to in communities in New York’s Harlem Valley.“
I
very much appreciate such information. To tell me in what mood the
photographer was when he was taking his pictures, I do find helpful.
Not least because I'm not only interested in the result but also in
the process of picture taking. The more I know about how a photograph
came about the more a picture is able to tell the story the
photographer intended to tell.
It
seems as if Danny Ghitis was in a pensive and rather melancholic mood
when embarking on his project – nobody smiles and even the
occasional blue sky doesn't radiate joyfulness. Instead we get to
see, well, nothing special. Ordinary people posing for the
photographer, workers clearing a car accident site, a sign that says
thank
you,
another forgiveness.
For the full review, see here
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