Canadian
photographer and educator Phil Bergerson (b. 1947, Toronto) “found
his calling as a photographer in the American social and cultural
landscape” in the late 1980s while on a sabbatical from teaching at
Ryerson University. “The focus of his work ever since has been the
signs, display windows, hand-painted murals and graffiti found in
cities and towns throughout the United States,” says the press
release and the photographs in this beautifully done tome give
testimony of a rich variety of cultural expressions. To my Swiss eyes
the creativity displayed looks weird, funny, sad, pathetic, joyous,
uplifting – touching expressions of the childlike human nature.
Needless to say, one has to have an especially good eye in order to see what Phil Bergerson saw and documented. Differently put: Not only his outsider view makes him see what many probably don’t, his attitude (“empathetic neighbour”) is equally important. Yet what, in my view, has to be applauded above all is the ingenuity of the folks who came up with all these fascinating and strange things that he photographed.
For the full review, see here
No comments:
Post a Comment