In
2003, Charlotta María Hauksdóttir moved from her native Iceland to
California to study photography. “The relocation stirred in her a
sense of rootlessness and a yearning for the landscapes of her
childhood,” the press release says. She began to make regular trips
to Iceland to take photographs “that she would then reconstruct and
repurpose in her studio.”
Although
having myself lived in a number of countries far from my native
Switzerland but never experienced a sense of rootlessness, I
nevertheless felt occasionally a yearning for the landscapes of my
childhood or, to be more precise, for the familiar smells that I
associate with my youth. In other words, I can partly identify with
Charlotta María Hauksdóttir Californian longing for Iceland. Yet
why, I wonder, did she not just record what she found? Why did she
reconstruct and thus repurpose the photographs taken?
In
an interesting read at the end of this nicely done tome she gives
quite some hints in which she recounts early memories and
specifically mentions a roadtrip during a snowstorm with her father.
“In later years, he was often my driver on photography excursions,
where he would tell me the names of every landmark we saw – which,
sadly, I would promptly forget.” Same with me, I automatically
thought, some things (as interesting as I might find them) I almost
immediately forget, others however (and among them quite some things
I do not think interesting at all) will stay with me forever.
For the full review, go here
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