Photography
became prominent in my life while pursuing a Master's degree in
Journalism Studies at the age of 46. When writing my thesis on
documentary photography, one of the works I warmed to most was 'Let
Us Now Praise Famous Men' by James Agee and Walker Evans, a book
that, interestingly enough, I had acquired twenty years earlier but
had no real recollection of. While my thesis progressed, I also
became aware of the fact that as a youngster I had entertained the
idea of becoming a photographer — something I had almost completely
forgotten. Differently put, quite a lot of things seem to lie dormant
for a long time before eventually coming to the surface.
In
1999, the only photography that interested me was documentary. And,
especially photojournalism, "pictures with words", that is.
This had doubtlessly to do with my enthusiastic and extraordinarily
supportive thesis supervisor Daniel Meadows, but also with the fact
that I understood documentary to essentially be storytelling which at
that time I held very dear. Yet even then, I wasn't a fan of sayings
such as "a picture tells more than a thousand words" for I
do not think that pictures tell stories, I happen to believe that
what we see in pictures we bring to them.
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